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Thursday, March 13, 2014

Linear Stick Control Variations Revisited

Here's a redux version of my previous lesson from a few weeks ago using Stick Control to come up with some interesting linear patterns using both your hands and feet....but this time with proper notation and some further explanations! Thanks for bearing with me here.

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Stick Control Linear Variations


Here's a series of little variations on a Stick Control exercise I took from Steve Smith's excellent DVD "The Art of Playing Brushes" (with Adam Nussbaum). I believe that Steve originally got this one from his time studying with Alan Dawson in Boston. I've found this to be a great way to engage all my limbs at the same time and develop an overall sense of coordinated balance on the drum set.

Take the first few pages of Stick Control. Using a steady rhythm of eighth-notes as your rhythmic template, use these following variations as your guide to create some interesting linear ideas:

1) Exercise #1

Follow each Right and Left hand on the snare drum with the bass drum.

For example, a paradiddle sticking RLRR LRLL would look like this:












2) Example #2

Do the same as above but substitute the hi-hat (open or closed) instead of the bass drum.

A paradiddle sticking would then look like this:










3) Example #3

Following the same logic as above:

- When you play R with your Right Hand, follow it with the bass drum.

- When you play L with your Left Hand, follow it with the hi-hat (open or closed, your choice)

So a paradiddle sticking RLRR LRLL would look like this:












4) Exercise #4 (variation)

- When you play R with your Right Hand, follow it with the hi-hat (open or closed, your choice)

- When you play L with your Left Hand, follow it with the bass drum

So the following RLRR LRLL combination would look like this:













You'll find that you come up with some pretty interesting and challenging four-limb linear patterns as the sticking variations develop. Some of them are even reminiscent of some things you might hear Tony Williams play.

You might also want to try putting your hands on different parts of the drum set as well. This is what Exercise #3 would look like with the Right hand on the ride cymbal:









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